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贝多芬所有的晚期作品——不同于他中早年的战斗或者期待光明的直观感觉——几乎是无奈与痛苦到近乎自虐。席夫对op110的评价是“like a phoenix emerging from the ashes”,但并非以光明的方式:贝多芬将最美的赋格主题深藏于乐曲中的每个角落，直到它在末乐章中终于第一次以完整的独立的形式出现，而从这一刻开始，力量开始汇集，音乐也不可避免地走向崩塌。我猜测这正是他想传达的某种东西:自我毁灭
https://open.spotify.com/track/5QaEBz7nwANqZzjE2Dz36z?si=xBavKTd_Qm22h92u4f1S6w&utm_source=native-share-menu
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“This is the most moving part of the piece, it's one of the most moving confessions of Beethoven. We know that he had been very ill, prior to this sonata. And to me, this lament is a depiction of the illness.This is really tragedy, because we heard this wonderfull fugue out of tragedy of the lament, like a phoenix emerging from the ashes. And it is very clear Bachian fugue, strict counterpoint with the only liberty.”